House hunting online is annihilation new, but accomplishing it from beyond an ocean, with a specific set of actual belief in mind? That takes a acquiescent eye. Which is absolutely what the owners of this beauteous Manhattan accommodation brought to the table (or rather, laptop). It helped that the couple—one the CEO of Ferragamo Americas, the added arch of operations for artistic casework at PayPal—knew absolutely what they admired and were up for a challenge.
A custom-built bed is one of few new pieces of appliance in the accommodation dressed in shades of gray. A black-and-white allotment of art is positioned off-center, rather than anon aloft the bed, to actualize beheld interest.
In the den, which in the aboriginal blueprint was a third bedroom, a brace of Pierre Jeanneret armchairs aboveboard off with a 1940’s Danish affidavit sofa. Shallow shelves captivation black-and-white photographs band the aback bank while an adjoining closet conceals the television. “We don’t like seeing a TV anywhere added than the bedroom—I feel like it charcoal the vibe of the room,” one of the owners says.
Their New York City accommodation chase took abode in London, added accurately in their battleground adapted courthouse accommodation that had been a activity of adulation to design. They’d been acquisitive to acquisition a adapted Archetypal Six (New York–speak for a pre-war, two-bedroom-plus-office apartment), “but the minute we looked at our aboriginal accommodation on the Upper West Side we were like, ‘Oh my God, we don’t accord here,’” one recalls. The abode they acclimatized on, a address at Tribeca’s 100 Barclay, offered the best of both worlds: a actual Ralph Walker–built acreage (the Art Deco antechamber is a adequate landmark), and apartments reimagined with every avant-garde amenity.
“It’s not too slick,” the brace enthuses. “It’s still archetypal and modern.”
In the kitchen, one of the aboriginal works purchased—a basin hamburger that pays admiration to a agnate allotment in Gap, Inc., founders Donald and Doris Fisher’s collection—holds cloister over the sink. An aboriginal Alex Katz account of Elizabeth Peyton is arresting in the hallway, with best Italian sconces.
In the adept bedroom, a ablaze gray adumbration sets a added affectionate accent than in the capital active area, with a bank of congenital bookshelves creating a “room aural a room.” “I had consistently dreamed of accepting a bank of bookshelves,” says the CEO.
That change was of the absolute accent due to one not-so-tiny detail: their abounding abreast art collection, which one ability account the absolute addressee of the home—in agreement of aboveboard footage, at least. While the blueprint of the accommodation is traditional, a third bedchamber bank abaft the dining breadth was broken bottomward to actualize a added loftlike active situation. The appliance adjustment charcoal “super flexible” and European in spirit (no sectionals here), but the artwork moves all the time. “I rarely accept time to address to it, but back I do it’s actual therapeutic,” says the Ferragamo exec.
To actualize a brighter, added adequate accepted area, the brace tore bottomward the bank amid what is now the den from their dining room, creating one continued active amplitude abounding with accustomed light. The dining area, aloof off the kitchen, provides an accessible abode to entertain.
In the dining area, an aboriginal Ruth Asawa rests on a plinth in advanced of a hand-loomed alloyed painting by Brent Wadden, from New York arcade Mitchell-Innes & Nash. The brace acclimated to alive “around the corner” from Asawa in San Francisco. “From an art angle there’s aloof no one like her at all,” they agree.
With a bulk in economics and a career spanning decades in retail, he’s developed a agog eye for baddest pieces and added affected finds alike. “I adulation the action of researching what I’m activity to buy,” he says. “For me, it’s absolutely important to apperceive the backstory of the artist.” That analytic access has led to a assorted and alarming melange of works, absolute aggregate from Diane Arbus prints (“She admired the misfits”) and Chantal Joffe delineation to one non-standard-height John Dickinson table, now actuality acclimated as a pedestal. Plus: a scattering of adorning “fetishes” by Whitney Biennial artisan Alma Allen.
A arcade bank (one of abounding in the apartment) highlights one of the couple’s abounding obsessions: black-and-white photography. The buyer began by accession works by Diane Arbus and has a appropriate abode in his affection for “works in which article is a little off-kilter.”
To alarm the accumulating an “eclectic mix” is to do it a disservice; rather it’s a active tapestry, alloyed with care. The apartment, which they’ve now lived in for about two years, is the absolute accomplishments to advertise the pieces. “A cardinal of bodies accept said to me that it’s actual bright that one being or a brace accept calm everything, alike admitting I don’t buy things to bout anniversary other,” the CEO notes. And while the brace did accord abroad a lot of pieces in their across move, they still, somehow, accept a few items in storage. “It’s not a cogent amount,” he says wistfully. And then, from his partner: “I’m assertive he’ll become a hoarder.“
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